Saturday, December 23, 2006

DVD Review: The Superman Ultimate Collector's Edition



Wow, this is quite possibly the most comprehensive box set release of any movie series ever. You thought that 9-disc Alien Quadrilogy (horrible name) was expansive? Warner Brothers' 14-Disc Ultimate Superman Collection blows it away.

Here's some quick thoughts on the movies in this set:

    Superman: The Movie - To this day, still ranks as one of the best superhero movies of all-time. Didn't have the slam bang action of II, but holds up remarkably well. I can and have watched this film from start-to-end many times, and will continue to do so. Available in its original 1978 Theatrical Version or the 2000 Expanded Edition.

    Superman II: Theatrical Version - The first time we saw real big comic book action on the big screen. Zod is not only one of the greatest comic book movie villains of all-time, but of all cinema. ZOD!!! Doesn't hold up as well as the first movie, but still very, very fun.

    Superman II: The Richard Donner Cut - a fanboy's wet dream, read my previous post.

    Superman III - Richard Pryor is no doubt a comic genius, but so out of his element in a Superman movie. Evil Superman was cool though.

    Superman IV: The Quest For Peace - one of those movies that's so bad, it's good. Like III, it's camp factor is high, and it's fun for a laugh. As I read somewhere else, this is Mark Pillow (Nuclear Man's) greatest triumph.

    Superman Returns - I enjoyed this but was dissapointed at the same time. If anything, this helped but Superman back into the public spotlight and helped raise interest in him again, and that's never a bad thing. Let's give it a decade or two and see how well it holds up.

Here's some of my favorite features that make this set worth buying (besides the inclusions of all the feature films):

    The 1940s Max Fleischer Superman Cartoons - all 17 are available here. They are so interesting and such a joy to watch mostly due to its unique art and animation style. One of the true gems of this set.

    You Will Believe: The Cinematic Saga of Superman - Available only in this box set, this documentary chronicles the making of Supermans I through IV (and Supergirl!). Contains very candid comments from much of the cast and crew involved in the making of all the films. Of most interest are the segments that deal with the Donner/Lester/Salkind madness that occurred during the making of the first two films.

    Look, Up In The Sky! The Amazking Story of Superman - this great documentary chronicles Superman's history throughout time since his birth to the present across all forms of media including newspaper, comic book, television, film, musical, etc., etc.

    All movies save Superman Returns have commentaries (6 in total). Returns makes up for its lack of commentary with an expansive 3 hour making of documentary.


And that's just the best stuff, there's loads of more extra features piled into this set. Here is a complete list of all extra features.

This is one of those sets that promises 20 hours of extra features, but I bet there's even more than that. Honestly, there's so much stuff here, some things you've never thought about, but end up really liking (Warner Brothers Cartoons featuring Bugs Bunny and Daffy that spoof Superman) and some things you've never thought about, and still wish you didn't think about (The Adventures of Superpup - a live action TV puppet show with Superman as a dog/pupper, you've gotta see it to believe it).

For any Superman fan, this is truly the Ultimate in DVD sets. Even if you're only a fan of the Donner/Reeve Superman 1 & 2, and hate the rest, the extra bonus material justifies the extra money you'll be paying. If you do the math, you're really not paying that much more. And gosh darnit, that shiny metal box sure is purdy.

Friday, December 15, 2006

The REAL Superman Returns, A Fan's Appreciation of Superman II: The Richard Donner Cut

This review is taken from the viewpoint of a person (me), who's favorite movies since his childhood were the first two Superman films. Even today I hold them in very high regard. Also, you may understand this review more if you have an understanding of what happened with the first two Superman films, very accurately described in detail and at length at the Superman Cinema homepage. Give it a read, it's very interesting especially since we've got a quarter century of hindsight. Now onto the review/appreciation.

A brand new Christopher Reeve Superman movie. If that line alone doesn't sell you on this, then you, kind sir, or ma'am have no heart. Forget Bryan Singer's well-intentioned but ultimately dissapointing Superman Returns, this is where the REAL Superman Returns.

I don't remember much of what my science professor taught me in high school, but what little I did retain was all wrong, because Margot Kidder and Christopher Reeve show us really what real chemistry looks like. You can't just put some hot broad in a film and expect chemistry like that (See Jessica Alba in Fantastic Four....actually on second thought, don't). Unlike Alba, Kidder was not a knockout-type beauty, but had more of a subtle beauty, she had a nice smile that wasn't really big or overly exaggerated like we tend to see these days and her eyes could catch you off guard at so many turns. As much as Reeve brought to Superman, Kidder was right there behind him. Without her, Superman would have been and is a completely different beast, and an ugly one at that.

Christopher Reeve is most heartwarming and charming as Superman and Clark Kent. He exudes a quirky attitude as Clark Kent, and an airtight confidence as Superman. He is so likable I can't help but smile everytime he's on the screen. His portrayal of Superman and Clark Kent has been so ingrained in my mind, that everytime I read a Superman comic book I hear his voice saying the words on the page inside my head.

One of the most pleasant surprises was the never before seen Marlon Brando footage. Now I know why I was so dissapointed with the Brando footage in Superman Returns, it's because they saved all the good stuff for this flick. The scenes with Brando and Reeve are so essential to the film that its a surprise the theatrical version worked without it. In fact, their many new scenes together address one of the biggest plot holes in the theatrical version, namely how Clark/Superman gets his powers back after he gives them up for Lois.

Among the other new scenes of note are a new opening, where Lois thinks she figures out that Clark's really Superman. The second time's a charm though as another new scene shows her finally figuring out Superman's true identity. It's a lot more clever and rewarding than the original theatrical version where Clark just stumbles into the fireplace.

Gone are some of the things that most fans have always hated about the theatrical version. The two biggest are the finger beams that the Phantom Zone criminals use, and their much shortened invasion of a small American town. The former because it was just seemed silly and untrue of the comic, and the latter because of its heavy-handed way in which it protrayed the small U.S. town as being populated with stereotypical hicks.

The movie isn't without it's problems. While most of the new footage fits like a glove, some of the it sticks out like a sore thumb. Unfortunate but forgivable given the circumstances. It's a real shame this movie can never be fully completed. It brings up the interesting question, how awesome would the Superman series have been if Donner had stayed on board to guide the ship? Donner says himself that he would've been in for the long run if he had the opportunity.

For people who never enjoyed or watched Superman, you might watch this and wonder what all the fuss is about. This isn't for you, this is for the hardcore fans of the original films, who believe it or not, are actually the biggest reason this "new" film even exists. This is proof positive that online fan campaigns CAN work, when done PROPERLY. For fans of Superman, Christopher Reeve and Richard Donner, Superman II: The Richard Donner Cut is a revelation. It's something we've wanted forever, but never truly thought we would ever get. And now that it's here, we're pinching ourselves. This is a must buy. You'll believe again that a man can fly.

Wednesday, November 22, 2006

Game Review: Gears of War

This game is just so good, I had to give it it's own post.

Gears of War is one of those games that had so much hype around it that people not familiar with games or remotely interested in the Xbox 360 know about. This is usually a deathbell for a game, as too much hype can be a bad thing. But in the case of Gears of War, it lives up to it, for the most part.

Let's start with the good. First up, Graphics. Exceptional. Quite possibly the best graphics I've seen on a home video game console to date. Some of the in-game cinematics looked almost like movie quality CGI. The shadows, the lighting, the way the blood splatters, is extremely impressive. All with a steady framerate to boot.

Sound and music is also exceptional. When you rev up the chainsaw and slice someone in half, you can actually feel it through the sound. The developers made the smart choice to employ an exceptional orchestral score, again adding to the feel of a big budget Hollywood blockbuster-type production.

All these things add up to create a campaign mode that is atmospheric, action-packed, and most important of all, fun! The campaign can be played in single-player or cooperatively with another player, which can be done online and offline. Cooperatively is definitely the way to go. This game is meant to be played with others working together as a team. In single-player, your A.I. teammates just don't cut it as they seem to die way too much, and when you try to go and save them, that's when you end up getting killed.

The real meat of this game's replay value is its online multiplayer where you team up with up to 3 others in 4 vs. 4 matches. While I love those 20 and 30+ multiplayer deathmatches, there was just too much chaos, which I guess is also part of the appeal. But in Gears, they chose to go with a lean and mean multiplayer by going 4 on 4, a number which is actually perfect for this type of game. To succeed in multiplayer, you must work well as a time. It's all about communication, taking cover, suppressing fire and flanking. There is no bigger satisfaction than sneaking up behind an unsuspecting victim and chainsawing them into 2 bloody pieces. A close second would be calling a satellite strike down on your opponent. And of course, there's always the smile-inducing headshot with the sniper rifle.

Now for the bad, about the only thing I can fault this game on its short length and anticlimactic ending that no doubt sets up a sequel. While it was short, I liked that the campaign had action at every turn. There was no filler, no library levels, no boring dungeon-crawling-random-battle power leveling. It's short, but it is so sweet you'll get a cavity. (Yep, I love my lame cliches.)

This game earns its M rating, and rather peculiarly warns like most games today that "Your game experience may change during online play." Now this is a warning they usually apply to E or T rated games because of certain people who could possibly swear during online play, something game companies have no control over. However, Gears is already an M rated game, so will the online play change into an E-rated game?

It may have taken a year, but the Xbox 360 finally has its killer app. For those who have an Xbox 360, you've already got this. For all others, it's time to get one.

Thursday, October 26, 2006

Movie/DVD Review: Seven Samurai

One of the greatest movies of all-time finally gets a DVD treatment worthy of its legendary status. I have held out on getting Seven Samurai on DVD since I first got my DVD player, sometime in 2000. The original barebones DVD was felt by many to be worthy of purchase for the film alone, no matter what its quality was, as long as it was watchable, afterall, it was Seven Samurai. However, I held off because I heard of rumours of a re-release with new features, new subtitle translation, and improved audio and video quality. Fast forward to September 2006 and our prayers were finally answered as the best DVD production company in the world, the Criterion Collection, finally releases a new 3-disc DVD of Seven Samurai, with upgraded video quality, and a smattering of quality extras.

About the movie (the simple version): Set in 16th century Japan, a small village hires a group of samurai to help protect themselves from bandits who have stolen and ransacked their village, killing some villagers in the process. The movie is long (almost 3.5 hours), but it's never boring, and I found myself sucked into this deeply engrossing movie. Like all great movies, it just gets better everytime you watch it. And everytime you watch, you find something new to like about it that you didn't catch before.

Criterion's DVD features a brand new restoration that simply looks incredible compared to previous releases. It's not perfect, but for a film made in 1954, it has never looked any better. But don't take my word for it, here's some comparisons of screen captures from various DVDs of the film at DVD Beaver. The audio is presented in original Japanese mono or Dolby Surround. The score is conveyed well but voices can seem harsh and tinny at certain times. Again, technological limits at the time of its making limit the quality it could've been. That being said, it's not a big deal and remains very listenable and watchable.

Extras include two informative full-length commentaries, one by Japanese film expert Michael Jeck, and another featuring a roundtable of several film scholars. Also included is a lengthy documentary on the making of Seven Samurai filled with much insight by surviving cast and crew. It does not include any comments from Kurosawa himself as it was made after his passing in 1998, however that slight is belayed by the inclusion of a two hour interview with Akira Kurosawa where he recounts nearly his entire career in filmmaking. Finally there is also an hour long documentary called "Seven Samurai: Origins and Influences" which looks at the film's influences from other cinema, as well as the Samurai tradition and lifestyle.

You ever see those DVDs that scream at you "HOURS AND HOURS OF EXTRA FEATURES" and when you finally see them, it's either grossly inflated, or complete dreck? With this release, you not only get quantity, but you also get quality. Criterion's releases tend to be more pricey than the average DVD release, but they're worth it. It's obvious that this company is made up of people who love movies. Each movie they release is done with the utmost care and respect, with quality being their primary goal.

For people who owned previous versions of this movie, this is well-worth the upgrade, and for those who've never owned this movie, a true movie lover's collection is not complete without it.

Monday, October 23, 2006

The Hit List: Video Games Galore

I like to consider myself a Jack of All Trades, a world traveler of sorts who enjoys the many various forms of entertainment, so with some movie, comic, and music reviews already done, I figured it was time to review some video games.

Lego Star Wars II (On All Major Systems) - the original Lego Star Wars was one of those fantastic games that not only thrived on concept, but in execution. The game not only appealed due to its idea, Legos + Star Wars, but it was also a pretty damn fun game! The second is even better, if only for the fact that it's based on the Star Wars movies that didn't suck. This is also one of the funniest games I've played in a while, as I was playing through the levels not only to progress further, but to see the great cutscenes the gamemakers made that reproduced memorable Star Wars scene but with lego and no dialogue.

Dead Rising (XBox 360) - why has it taken so long to make this game? A zombie survival game no doubt inspired by (IMO and many others) the best zombie movie of all-time, Dawn of the Dead. So much so in fact, that there's a disclaimer on the game cover that says that the makers of the game were not affiliated with George A. Romero or the producers of Dawn of the Dead in any way. Ok, so you're this photojournalist stuck in a mall full of zombies for 72 hours. This game is oh, so great, but could've been so much better (sequel anyone?). There is so much you can do in the game, but what really kills is what you CAN'T do in the game. That combined with some really moronic A.I. (you've gotta rescue other survivors), and a really ass-backwards save system stop this game from being a classic. And don't get me started on Survival mode. In said mode, you must survive for as long as you possibly can while your health slowly diminishes and food items DO NOT respawn. Now when I first unlocked this mode, I salivated at playing this because it seemed like the real meat and bones, something I could really sink my teeth into. But sadly, there is one major showstopper to this mode: You CAN'T save. You've gotta keep playing for 12+ hours straight with no breaks. I would've played this mode to death, but I'm not prepared to sit on a couch for an entire day to do it. Besides, if I kept my 360 on that long, it would probably melt. That being said, it's still a very good game, and a sequel that fixed said problems would be unbelievably welcome.

Kingdom Hearts II (PlayStation 2) - let's get this out of the way up front, the first Kingdom Hearts, a perfect marriage of Square's Final Fantasy and Disney's animated characters and worlds, is one of my favorite games of all-time. So it is to my dismay that this sequel is so fantastic in some ways, but drops the ball in one of the biggest departments. First, the good, the art and recreations of the many classic disney worlds is fantastic. The 3d-ifications of the 2d animated worlds is spot-on and looks incredible. Particularly, the Mulan, Tron (TRON!!!!), The Nightmare Before Christmas (I would love a standalone game made in the art style of these levels) and black and white Steamboat Willie inspired worlds standout. Now the bad, the gameplay, the battles are just too simple and easy. Now, while it may seem that you are given many options and types of attacks to perform during battles, you could literally button mash your way through this game. That being said, this is still a worthy game, especially for those who love the classic animated disney films.

Clubhouse Games (Nintendo DS) - this is one of those DS games that you will want to keep and play forever. It's made up of a large (40+) collection of various simple board, card and other games such as billiards and bowling. One of the best pick up and play games, you can play it for 5 minutes, or you can play it for hours. Some of the games, especially the non-board and card games have quirky stylus-based controls that aren't very effective and sometimes very annoying. Despite that, this game is still a winner. Not only can you play these games by yourself, but also with others, both online and offline. One of my favorite features of the Nintendo DS is the ability for people to play multiplayer games off a single cartridge, and this game is no exception, as 8 players with DS systems can play off a single game card. In addition, you can also play online over Nintendo's free Wifi service. In addition +1, this game's new in-game pictochat is really fantastic and makes me wish it was the standard pictochat on every DS. Overall, a very robust package, one I'll keep for a good while.

Sunday, October 15, 2006

Graphic Novel Review: Pride of Baghdad

Written by Brian K. Vaughan, Art by Niko Henrichon.

Suggested For Mature Readers.

Brian K. Vaughan is no doubt one of the most prolific and best comic book writers out there. With the apoalyptic Y: The Last Man, politically-savvy Ex Machina, an extended run on Ultimate X-Men, and my personal favorite about a ragtag group of teenage superheroes, Runaways, he is no doubt one of my favorite writers in the biz, one who can almost write any kind of comic book and in any style. So when it was announced that he had an original graphic novel to be published recently, I jumped in not knowing anything about what the book was about, but knew it would be great because Vaughan wrote it.

And I was not disappointed. Pride of Baghdad is based on the true story of a small group (or pride in lion terms) who escape from the Baghdad Zoo during the 2003 U.S. led bombings. What we get is a multi-layered, textured story following 4 lions as they "escape" their Zoo surroundings and make it out into the "free" world. I don't want to talk about the story too much, so as not to give away the major points, but that is the gist of it in a nutshell.

It is at many times, endearing, playful, thoughtful and heartbreaking, sometimes all at once. The final page will leave you angry, or sad, or probably both depending on your interpretation of it. My view of the war has always been against it, and the reaction and fallout from this book, while being mainly positive, has created much heated debate over its message or messages, as has the real war that this book recreates.

I'm not quite sure what Vaughan really set out to say, most likely he wanted to leave it open to interpretation for the viewer. This, to me just added to the thoughtfulness of the story. It will make you think, and it will make you argue, and that is one thing comic books very rarely make you do.

All of this is brought to life by the incredible artwork of Niko Henrichon. You are hooked onto every page of this book, as it alternates showing us the highest of highs in life, and the lowest of lows. Writing is one thing, but in comics, the art can make or break a story, and this one makes it.

This graphic novel has been put out by DC Comics Vertigo imprint, and contains violence and profanity and is definitely NOT recommended for kids. The Lion King it is not, but well worth your time and money it certainly is.

Monday, September 25, 2006

Sunday, September 24, 2006

Your Reason for Getting a Hi-Def Setup

After seeing the new trailer for Nine Inch Nails' new live DVD/HD-DVD/Blu-Ray, Early 2007 can't come soon enough. The quality looks amazing, and I for one, cannot wait to see NIN is high-definition!

This also begs the question, where is that Closure DVD??!! Originally scheduled for Fall 2004, it is already 2 years later....

Now all we need a a similar dvd for NIN's Summer 2006 tour.

Monday, September 18, 2006

The Dark Knight: A Wishlist

2005 saw the return of the Dark Knight in the definitive film version of Batman. Fans rejoiced, and critics heaped it with well-deserved praise. Having not been a fan of the previous 4 Batman films, Batman Begins was a revelation, finally, they got it right. Due to the critical and commercial success of Begins, Warner Brothers has gone forward with a sequel tentatively due for release in the summer of 2008. Here is a little personal wishlist I put together that I think are keys to keeping this franchise strong.

1. Christian Bale - Perhaps second only to Christopher Reeve in terms of perfect comic book movie casting. He IS Bruce Wayne, he IS Batman. He not only looks the part, he's got the acting chops to match those looks. Apparently he is signed for 3, but if he decides not to don the cowl beyond that, I would recommend not making any Batman films (at least for a little while).

2. Christopher Nolan - he's on board for this, but lock him in for more. His hiring was a bit of an eyebrow raiser, but upon reflection was genius and almost as crucial as Bale's casting. Note to big studios: Further reflection also notes that the best superhero movies have been directed by non-bignames who began their careers with small independent character-based movies. See: Superman (Richard Donner), X-Men (Bryan Singer), Spider-Man (Sam Raimi). Also note, the loss of the director can be catastrophic. See: X-Men 3, Superman 3 & 4. Like Bale, if Nolan doesn't wanna do another Batman, you might as well not make another one at all.

3. _NO_ Sidekicks - Do NOT introduce Robin, Batgirl, or anyone else that could take the focus away from Batman. The movie is called The Dark Knight, not The Dark Knight & Friends.

4. Gary Oldman / James Gordon - Another of the crucial support beams of the first movie. I envision the new Batman series following Gordon and Batman's friendship and Gordon's ascendency throughout the police ranks culminating with him becoming the Commissioner somewhere down the line in maybe the 3rd or 4th movie.

5. 1 Big Villain and 1 Supporting Villain - one of the pitfalls of the first four Batman films were too many villains, and too much focus on the villains. Batman Begins struck a perfect chord with 1 major villain and 1 supporting villain.

6. Hans Zimmer & James Newton Howard - they teamed to do the magnificent score for the first film. Will they come back? Let's hope so. Their score succeeds greatly in the area of emotional depth, it underlined the tone of the movie without overpowering it. Also, they are masters of their craft and knew how to build the tension by building the beats of the music. It's hard to explain, but if you give the score a listen to on its own, its very apparent. Personal favorite tracks from the score: Eptesicus, Molossus, Lasiurus.

7. A Strong Script - perhaps the biggest strength of the first film was its script. They took note of everything that didn't work in the previous Batman films, and took notice of what made Batman work. They did the definitive film origin of Batman and set the seeds for future films.

8. Lose Katie Holmes - you know what they say, everyone can be good in the right role. Rachel Dawes was not the right role for her. She was clearly miscast, she had no chemistry with Bale, but thankfully her role was small enough and competently done enough that she did not ruin the first film.

9. Great Supporting Characters - the casting of Morgan Freeman & Michael Caine lent an air of nobility and credibility to a "comic book movie." Comic books aren't just people with super powers flying around and beating the crap out of each other, and the casting of these well-known and well-respected actors may have gotten some people to see and enjoy the film who probably would normally not have seen such a film in the first place.

10. Not so choppy action scenes - As exciting and well done as the Begins' climax was, the action was just too shaky and choppily-edited. Honestly, Spider-Man 2's train action sequence made Batman Begins train sequence look amateurish by comparison. Of course, the action in Batman is more grounded in reality and could never be as high-flying as a Superman or Spider-Man film, but it would be nice to pull the camera back a little and tone down the shakiness.

I have a similar wishlist for the Fantastic Four sequel, but because it's so small, it doesn't warrant another post, so here it is in full: Don't Make One.

Sunday, August 27, 2006

The Hit List

Rather than write a long review of a single movie, I'll give a short paragraph on a number of recent TV shows, DVDs and movies I've enjoyed recently.

Veronica Mars: Season Two - my favorite show on TV right now. Superbly acted and written, this show follows the title character as she endeavors through high school. She's smart, sassy and one hell of a detective. The first season was a tightly woven collection of 22 episodes with an overlaying arc that carried the whole season. The second season was even tighter with each episode essential to the season's big arc. Hearts break and surprises abound. Buffy fans, this should be your new devotion. It's always on the cusp of cancellation, so buy the DVDs and watch it when it airs on the CW in October, and spread the word!

Murderball - a really, really great documentary about the sport of wheelchair rugby, wherein the athletes can smash into each with bonecrushing results, hence the name Murderball. There's some real drama here, the kind you can't make up where a former American player, formerly considered the best in the world is cut from the team as he became older, and consequently slower. Feeling betrayed, he becomes head coach of Canada and helps them defeat the American juggernaut. "How does it feel to betray your country" he is rhetorically asked. A very insightful movie that will open your mind and smash your expectations of "lesser-abled" individuals. As one of the subjects says himself "I've done more in my chair than I've ever been able to do walking." Very compelling stuff.

Wonderfalls: The Complete Series - A great show with a great cast with a lead actress I defy you not to fall in love with or at least develop a small crush on. Of course it was on the Fox network and cancelled after 4 episodes. 13 were made and they're all in this set with a heaping of extras. It's a very quirky comedy that requires you to suspend your disbelief on a certain

Short Cuts: Criterion Collection - this 2 disc set is loaded with quality extras. You know movies like Crash that have large casts that interweave several stories together? Robert Altman is the king of them, and this is one of his masterpieces. 3+ hours long, but never boring, and always engaging.

We Were Soldiers - I remember the first time I saw this I didn't like it that much, but I didn't hate it either. I think it was because around the time the film was made, we were just overloaded with war movies. But the second time around was much much better. The movie is almost one big action scene where the audience is dropped into the middle of a particularly difficult battle. A very, very good movie. If you overlooked this the first time, give it another shot.

A Very Long Engagement - bought this recently because I saw it for cheap, but I would've gladly paid 10 times for this gem. From the director and star of Amelie, but don't think this is Amelie 2. A romantic epic set in WW1 follows Mathilde (Audrey Tautou) as she searches for her lover, despite being told of his death. Audrey Tautou has quickly become one of my favorite actresses and I've only seen her in a few movies. This is one of the most beautiful movies I've ever seen, and the cinematography on display in this movie will leave you breathless.

Superman: The Animated Series - Vol. 3 - The last and best set of this animated show, while not the definitive Superman, is still extremely enjoyable. Kudos to the producers for ending the show on a note that isn't typically "Superman" but fits with where the show was headed, a very gutsy move especially for a character not known for being dark.

Justice League - Season 1 - more enjoyable animated goodness from the guys that brought us the Batman, Superman and Batman Beyond Animated series. While this is probably the worst set of anything from the whole Paul Dini/Bruce Timm DC animated universe, it does have a few gems (Justice Guild!) and it also introduces us to my new favorite JLAer, Hawkgirl.

Justice League - Season 2 - the producers sat down and took all the bad parts of the first season of Justice League and fixed them. They kick things up a notch right from the very beginning and carry that momentum all the way to the slambang 3-part finale Starcrossed that really sets the tone for the future, and IMO, the best of anything they've done, Justice League Unlimited. October 24th can't come soon enough (Justice League Unlimited Season 1 releases then).

Born On The Fourth On July - got this in the Ultimate Oliver Stone collection, and this was the first flick I watched from it, because it is one of my all-time favorites. Forget all that Scientology and Katie Holmes bullshit, anyone who doesn't think Tom Cruise is a great actor hasn't seen this film. IMO, the best anti-war movie ever made. One of those movies that has a timeless message that's just as relevant now and maybe even moreso now than at the time it was made, and the time it portrayed.

Various Buster Keaton Short Films: Convict 13, Daydreams, Cops, The Playhouse, Hard Luck, The Blacksmith, The Electric House, The Goat, My Wife's Relations, and the list goes on and on - Let's get this straight upfront. Buster Keaton is a genius, he is one of the innovators of visual humour in the 20th century. He's been copied, studied and idolized so much by modern day actors from Jackie Chan to Johnny Depp. Many people see his gags used in modern day movies and think to themselves how original they are. Well, he did that back into the 1920s. Now that is really something for someone to still be original almost a century later. I could talk on and on about Buster Keaton because he's one of the few people I've truly idolized, so I'll just leave it at that. Go find his movies! They are frequently available for free from your local library! You can't beat that.

Wedding Crashers - Owen Wilson and Vince Vaughan are pretty much given free reign to really show off their comedic abilities to the fullest here. This is one of those movies where I would think about a joke that happened earlier and just laugh out loud even when something unfunny was going on. Rachel McAdams is great (wouldn't she be great as Susan Storm - Invisible Girl in Fantastic Four?). She has 2 very rare assets among actresses today, beauty AND acting ability.

Land of the Dead - Forget every other zombie movie. When it comes to zombies, no one does it better than George A. Romero. He's the real master, he created the genre, and no one else has even come close to what he's done. This movie wasn't just good, it was awesome and it just plain rocked. Please, please let there be more Romero zombie goodness. This is almost like a Romero best of mix tape; it's got action, drama, adventure, great ideas, and explores both the human and zombie aspects of living in the new world. Overall, an extremely satisfying movie.

Day of the Dead - Having seen Land of the Dead and enjoying the heck out of it, I decided to go back and give a second chance to Romero's only film which I disliked. With an open mind, I enjoyed and respected this film so much more. I think my original fault the first time was that I expected a film more akin to Night or Dawn. But what Day tries to do is so much different than those films. In this film, Romero really tries to deconstruct zombies and deconstructing the whole human-zombie differentiation. It's more of a talky-thinky movie unlike the more action and drama oriented Night and Dawn. I still place Day as the weakest of Romero's zombie films, but now I like it and respect it much more than I use to.

Once a Thief - A lot of people see Chow Yun Fat as this slick and cool character from films like The Killer and Hard Boiled. As great as he is at playing the slick and cool character, CYF may be even better at the comedic roles, and in this movie he gets to show off his more comedic side. Not to be confused with the far inferior english language remake, also made by Woo.

Kiss Kiss Bang Bang - A smartly written dark comedy starring two great character actors, Robert Downey, Jr. & Val Kilmer. I'm really beginning to like these guys more and more as they move away from standard Hollywood fair and towards sharply written, dialogue driven independent movies. Oh, and Michelle Monaghan sizzles, she could be the typical Hollywood big star if she wanted to be, but I hope she sticks with these little treasures.

Tuesday, August 22, 2006

New Photos on Flickr

Hey, updated with some pictures from the all-singing, all-dancing, all-guitar hero playing unveiling of my latest masterpiece: the aptly named Steve's Guitaraoke Palace. Like Martin Luther King, Jr., I had a dream, and it was to play Guitar Hero, with Karaoke Revolution _and_ a dance pad all at the same time. Requirements: 2 PS2s, Karaoke Revolution Party with microphone, Guitar Hero with Guitar, dance pad and 2 televisions (I had a TV which allows to accept 2 signals and split the TV in half, displaying both signals). Sadly, Karaoke Revolution Party's sing and dance mode makes you sing and dance to a truncated version of the songs it features.

So sadly, my dream came to a crashing halt. We would have to settle with the combination of guitar and singing, which I have cleverly named "Guitaraoke." Sadly, only 1 song is featured in both games: Joan Jett & The Blackhearts' "I Love Rock and Roll." The plan was to have me playing guitar, with Ron on vocals. The key to getting Guitaraoke was syncing the two games, which is quite hard, and which we were never quite able to do exactly. After several abortive attempts were thwarted by Gordon's poor timing, we were finally able to sync it up somewhat, but alas we were thwarted yet again by Ron's inexperience with "I Love Rock and Roll" and he failed the vocal parts. We were never able to sync it as closely as the time when Ron failed in singing, so curse you Ron! We were finally able to do the song with Jess on vocals, but it was odd as the 2 songs were ever so slightly out of sync. In the end, we did what we set out to do, somewhat.

Note to music/rhythm game makers. Combine drummania, Guitar Hero and several guitars, karaoke revolution and you've got you're very own Garage Band. The possible results make me salivate.

Update: For those who want higher quality photographic evidence as well as incriminating video footage, email or message me.

Wednesday, July 26, 2006

Music Review: Explosions In The Sky - The Earth Is Not A Cold Dead Place

Having recently seen and enjoyed the movie Friday Night Lights, one of the aspects of the movie I enjoyed the most was the movie's soundtrack composed primarily by post-rock group Explosions In The Sky. As such, I went in search of more material by this band. Enter their 2003 album, The Earth Is Not A Cold Dead Place. Simply put; lush, epic soundscapes. No vocal clutter. Just guitar, bass and drums. Rock at its simplest, its core, and its best.

Ever listen to a song which has great music but then you feel like the vocals are a distraction? Not so here. Part of the "post-rock" movement is the abolition of vocals. This is my favorite kind of music, the kind of music you can listen to, lean back, close your eyes and be transported into a different world.

Rather than have a large collection of short songs, here we get 5 grandiose, epic songs. I like the idea here, rather than a bunch of songs with maybe 1 or 2 "good" ones and the rest filler, they concentrated on making 5 great songs, each approximately 8-10 minutes in length. There is no filler here, each track is big, beefy, grand and beautiful.

Their sound is amazing, especially the guitars, and each member of the 4 person band compliments each other perfectly. Fans of guitar will not go wrong here. I am very much looking forward to future work from this group.

Personal favorite tracks: Your Hand In Mine, followed by First Breath After Coma and The Only Moment We Were Alone

Tracklist:
1. First Breath After Coma
2. The Only Moment We Were Alone
3. Six Days At The Bottom Of The Ocean
4. Memorial
5. Your Hand In Mine

Monday, July 3, 2006

Movie Review: Singin' In The Rain

So I saw this again recently, and I hadn't seen it in so long that it was almost like watching it for the first time, again. Well, it's even better than I remember. Great musical numbers, a great look that is reproduced fantastically on Warner's 2 Disc Special Edition DVD, heck, I can't imagine it looking better when it was first released in theatres. The colours jump off the screen and the amount is detail is staggering for such an old film, I've seen many recent releases that look worse than this movie. Every single member of the cast is pitch-perfect, hitting all the high notes, both musically and comedically. The cast looks like they were having fun making the movie, and this makes the film even more fun to watch, it's a real joy to watch this. Warner's Special Edition DVD has the aforementioned fantastic transfer, sound is provided in a fancy new Dolby Digital 5.1 track that sounds great, but is never too flashy for its own good. Purists will appreciate that the original mono track is included. Extras are high in quantity and quality. This is the best kind of DVD, a great movie, looks great, sounds great, tons of great extras. The great looking transfer would be enough for any fan, but the well rounded package puts it over the top. I know it's cliche, but they really don't make 'em like this anymore. Maybe the best movie musical ever, and certainly one of the best DVDs ever.

Saturday, July 1, 2006

Movie Review: Cars

Pixar Movie - Definition: Greatness. Awesome. _Insert positive attribute here_.

Bad Pixar Movie - Definition: one that only makes the top ten best films list of any given year rather than the top five.

As of the weekend of June 25, of the current Top Ten Grossing Movies in North America, Cars is the only movie with a fresh rating (a movie which has more than 60% positive reviews from major movie critics) at Rotten Tomatoes.

Yeah, so the reviews have been middling (for a Pixar film, that is). Other filmmakers would kill to get the positive reviews that Pixar garners. They've set the bar so high that anything else in just pales in comparison. No other 3D animation studio comes close, their movies sound the best, look the best, make you laugh the most, make you cry the most, they are simple the best period.

Wednesday, June 28, 2006

Movie Review: Superman Returns

Yep, he's back, but should we care? After a grandiose opening, the Superman series of movie just kept losing steam, each one getting gradually worse. The Superman movie series also has the distinction of being one of the few movie series where the special effects get progressively worse.

First off, Superman/Clark Kent himself. Brandon Routh does a serviceable job but never really looks comfortable in the costume, and overplays Clark's geekiness. He just doesn't look comfortable when he's flying, especially when he takes off and lands, and doesn't look natural like Christopher Reeve did. Now he really made me believe a man could fly.

We needed more of Clark's mom and Jor-El. Such integral characters in the life of Superman, but nearly forgotten in this movie. The way they promoted it, it was as if Marlon Brando was going to be such an integral part of the movie. While it is amazing how they added him into the movie, it left me underwhelmed.

Too much homage to Superman. As in Smallville, this movie pays homage to the Richard Donner and Christopher Reeve's original interpretation of Superman to a fault. There are so many echoes of the first film that they tried to play as homage, but to me played as repetitious. Like when Superman heralds the safety of flying ("Statistically speaking..."), Lois's spelling inquiry ("How many Fs in catastrophe?") and when Clark throws the baseball several miles, Clark dropping his glasses and wanting to tell Lois his secret. And while I love the opening theme and title credits of the first movie, this movie copies it almost exactly and it just felt "been there, done that, 28 years ago".

The music in this movie evokes my general feeling about this film "very good, but not great." Many of the themes by John Williams from the original are back "re-imagined" (somebody please kill this word) by new composer John Ottman, in addition to some new themes. Most of it was very well done, but just doesn't match up to the original. That being said, John Williams score for Superman The Movie is just about as perfect as you can get, and it is my favorite film score of all-time, so I'm biased.

On to the things I liked about this movie: The Clark-Lois story was so well done that I hated when it would cut to Lex's story. My favorite scene: when Clark uses his see-through vision to watch Lois as she leaves on the elevator.

Kate Bosworth is really great in this movie. Her Lois is very different than what we've seen in previous incarnations, but still evokes the general feeling of who Lois should be in relation to Superman. She really pulls off the intelligent, go-getting reporter type, and it's easy to see why Clark would be in love with her. She has some of the more emotional scenes in this movie and really helps give some emotional impact to a movie that lacks it.

Many have complained about the age of the leads, but it didn't matter to me, yes they are young, but I think with younger leads, it would connect better with today's younger audience. That being said, all the controversy does make you think, and one of the thoughts in my mind was 5 years previous, would Clark Kent even look like he's been through puberty yet?

I saw the movie in IMAX 3D, which is definitely the way to go if you don't mind paying a little extra and it's available near you. However, only 20 minutes of the movie are in 3D, usually the most exciting. Many may be put off thinking it's accomplished using the crappy red-blue glasses, but it's not. It's done using new special technology and slightly tinted glasses. It is extremely well done and way better than the headache inducing red-blue glasses method. I only wish that the entire film was done in 3D, but I understand that it couldn't be done and still be released day and date with the normal theatrical feature.

There's a lot a nitpicking by me, but that's because I love the original Superman so much. Christopher Reeve was literally born to play Superman, and to see someone else in the role is almost wrong. Christopher Reeve will always be Superman in my eyes. This film is really really good! In fact, those not familiar with the previous Superman movies will be able to enter this movie with a blank slate and enjoy the hell out of it. On my superhero movie scale, it doesn't quite crack my top five, but its close and is easily better than Superman 3 and 4, and way better than most of the other superhero dreck (I'm looking at you X3 and Fantastic Four). I really shouldn't complain too much since it really is a competently made Superman film. It really could've been worse, we could've had Superman fighting giant spiders, polar bears and gay robots for all we know. Here's to Superman Forever and Superman & Robin (that's a joke about how the Superman movies have stolen the Batman movie names - Batman should steal Superman's naming...imagine the marquee: BATMAN BEGINS 4: THE QUEST FOR PEACE).

Tuesday, June 13, 2006

Movie Review: Baadassss!

Instead of posting reviews of movies that are mainstream, I'll make use of these movie reviews to recommend those harder to find gems, those small little movies you may never have heard about, instead of whatever generic Hollywood remake or sequel is out.

I really hate when movie reviews spoil movies for you, but I understand how they have to sometimes in order to understand the critic's feelings. However here, I will generally post about the stuff I love and will try and give a quick synopsis without major spoilers. It's a really touchy thing because sometimes even the smallest detail can be a huge spoiler. I know it is very hard to do sometimes with the saturation of modern media, but it is my belief that a film is best enjoyed when you go in knowing absolutely nothing about it. How many times have you seen a movie that has been so hyped, and as a result was so dissapointing? With that said, onto the review.

This time I am choosing one of my favorite films in recent history, Mario Van Peebles's Baadasssss! That's two As and five Ss. Not only does Mario serve as writer and director, but also stars as his father. His father, Melvin Van Peebles was a pioneer, and his film, Sweet Sweetback's Badass Song, was destined to fail before it was even made. Shot in a pseudo-documentary guerrilla style much in the same way his father did more than 30 years ago, this is an always exciting and compelling look at the state of filmmaking in the 1970s. And who better to tell the story than Melvin's own son Mario, who was with his father the summer this film was made and witnessed everything firsthand. There are so many things to like about this film, it's quick pace, and fly-on-the-wall style give us great insight to Melvin Van Peebles's process.

I have never really been a fan a Mario Van Peebles's work before this, having seen him in various random movies in the 80s and 90s. However here, he shows a certain charisma and a passion for the material (perhaps because it is so close to his heart).

If you rent this, make sure to make time to watch the plentiful and informative extras. Most compelling of all is the audio commentary with father and son. Many of the events that occurred during this movie carry a bit of that "you can't make this up" feeling and is all corroborated by the father. One of the more interesting tidbits, some clips from the original Sweet Sweetback's Badass Song are seamlessly integrated with new footage shot for the movie, and it turns out Mario had to pay his father to use this footage.

This is the best kind of movie, the one that makes you wanna go out and explore more about the history of Black Cinema, or find a copy of Melvin's book on the Making of Sweetback that this movie is based on and even try to find a copy of Sweet Sweetback's Badass Song (still no luck).

Friday, June 2, 2006

Concert Review: Nine Inch Nails at Ridgefield, WA - 5/27/06

With the current Nine Inch Nails summer tour in support of last year's With Teeth album, main man Trent Reznor stated that this would be the last round of touring "for a while". To NIN fans, a while can be an eternity, who knows how long it could be, after all, With Teeth came out 6 years after his last album, and NIN didn't tour again for 5 years after his last tour. That's half a freaking decade folks. My friends and I were dissapointed that a Vancouver date wasn't announced for this last leg of touring (as Trent & Co. were doing a summer tour in outdoor venues, I blame Vancouver's lack of a suitable outdoor venue for this oversight). Next closest place, Ridgefield, WA, at the southern end of Washington, a stone's throw away from Portland, Oregon, and a 6-8 hour drive depending on certain conditions such as traffic. But that wasn't gonna stop us, we had to see NIN again, there was no way we wanted to wait another 5 years to see them after their Vancouver show in Sept. 05. So we sucked it up and made it a long weekend in Portland, OR (yay for tax free shopping).

The weather was cold and damp all weekend, rain wasn't a bother as the venue was open, but covered. First opening band was TV On The Radio. Pretty much a straight rock group, of very little relation to NIN's sound, and greeted thusly by the crowd. A lukewarm reception at best. The singer tried his best, but the rest of the band needs to learn a little something about performing live. The Bass Player had his back turned against the crowd for the ENTIRE performance, is it so hard to turn around and face the people you're playing for? And having one of the guitarist play the Maracas for a couple songs? At least have him feigning air guitar or something. It takes a personality like Trent to be able to pull off something cheesy and turn it into something cool (see: Trent rocking the tambourine).

Next up was Bauhaus, legendary electronic pioneers who hit their peak back in the 80s. Reznor cites Bauhaus as one of his major influences, and had stated how he almost didn't want to go on after them. The crowd was very respectful and 90% of the audience stood for their performance. Bauhaus is known for their electronic sound, but gave a setlist full of energy no doubt more geared more towards the NIN audience's taste.

Next Up was NIN. Their stage setup and set design was unique from their previous show in Vancouver. Upon first inspection it was very unique and no doubt made everyone wonder what it would be like. At first you just see 4 vertical sets of horizontal grates. Very strange looking, and we had no idea what we were in for. It turns out those horizontal grates had rows of lights that lit up to make some absolutely fantastic looking visuals. In the back were 5 LED screens that made the sets backdrop and projected some even more awesome visuals. All this in addition to NIN's standard fog machines, strobe lights and lighting setup.

The intro was very cool and very sneaky. Pinion has long been NIN's opener, and once the lights went out and Pinion started playing, that's when you knew NIN was about to start. This concert was not the case. I say the opener was sneaky because they started while the house lights where still on. You could hear a strange electronic beat on the speakers but couldn't really tell if it was starting, but we all stood up in case. Then you hear Trent start singing the opening strains of Somewhat Damaged and see him silhouetted behind the grating. Once he reached a certain part of the song, the band joined in, the house lights went off, and the incredible visuals exploded on stage. Very, very awesome. Somewhat Damaged is one of NIN's more angry songs, and it was definately a great kick start. From there the grating was raised up and NIN continued their performance with setlist stalwarts, You Know What You Are?, Sin, Terrible Lie, and March of the Pigs.

One of the emotional highlights of the night followed as the stage was covered in a haze with a moody dark purple lighting, as they then played Something I Can Never Have. I had never heard this before live, and it is always a treat to hear NIN play something new.

Next up was Closer. I love how they've deconstructed the song and turned it into a whole new animal for the new With Teeth tour shows. Whereas the old live version was almost a carbon copy of the album cut, and at one point 4 members each on a keyboard (a record for a rock band I'm pretty sure). The new version strips all those keybaords away and adds a lot more guitar, and even inserts a short part of The Only Time towards the end of the song. During the song, the 2 middle grates were down and showed a very cool blood like effect and the LCDs in the back throbbed as we saw Trent's silhouette in front of them. Always a crowd pleaser.

Following this is a new standby of the 05-06 tour, Burn, which if you haven't heard live before, sounds very different but very cool. After this is the always rocking Gave Up.

And next was another of the pleasant surprises of the night, Help Me I Am In Hell. Accompanying this was, the 4 grate-screens came down and treated us to some fantastic imagery, which at first was very peculiar at first, but as the song wore on, you could making out water bubbles, perhaps boiling water. Very trippy. After this I expected Happiness In Slavery, as these 2 songs almost always go hand in hand. Instead we were treated to Non-Entity, first played by Trent by himself on a piano with a beatbox, but now with his full band. Great song, although I think I still like the piano version slightly better. Dissapointed with no Happiness in Slavery, but that quickly subsided. Following Non-Entity was Only, which was one of those tracks I thought might not translate well live, but Trent and Co. always surprise, it's even better than the album cut. Next up was Wish, one of my personal favorites, this song never gets old, and this song always gets the adrenaline pumping, and this night was no exception.

Another surprise awaited us as Trent begins playing something off key alone on a solitary keyboard. I was expecting this to lead into The Frail, but instead was pleasantly surprised as he went straight into La Mer. The pleasant surprises continues, as the song leads straight into the most rocking version of Into the Void I have ever heard in my life. Simply incredible!! Following this is one of the more underrated tracks from The Fragile, The Big Come Down. So glad I got to hear this live. Suck was next and was one of the heaviest tracks of the night and satisfied the headbangers in all of us.

Next was another treat, another song I thought I would never hear live, their live cover of Queen's Get Down Make Love. Another rocking crowdpleasing that had the crowd jumping, bobbing their heads and shaking their fists to. Hurt followed up, and did not dissapoint. This song begins with just Trent alone with a keyboard, before the rest of the band joins in for the last verse. One of his more meaningful songs, Hurt always touches a chord with the crowd and brought on many lighters as well as some tears.

The concert winds down with The Hand That Feeds, a good wakeup call after Hurt, to bring us out of that somber mood and kicking our collective asses with some straight out rock.

Finally NIN finished with the seminal Head Like A Hole. This venue was seating, so their wasn't a mosh pit, but the crowd just couldn't hold it in anymore. People jumped, people cheered, and people bowed down before the one they served.

The weather was cold and wet, despite it being the "summertime" which Trent lamented about. As he talked about how this would be his last tour for a while he stated how for the last tour he was convinced "to tour the coldest part of the country during the coldest time of the year," and because of that, "We froze our balls off. So they ask me now to do a summer time, it'll be outdoor, it'll be nice." Small pause. "So here are....Freezing our balls off". In Trent, We Trust.

Gladly, the venue was covered, so rain was not a problem, and all the movement that comes with enjoying NIN (headbanging, fist pumping, moshing, jumping, clapping, etc.) warmed us up sufficiently.

Maybe a little shorter than previous shows, but despite that, my favorite of all 3 NIN shows I've been to (The only thing that can top a NIN concert is another NIN concert). For all that crap we had to put up with the whole weekend, this made it worth it.

Small addendum: the parking at the Amphitheatre at Clark County is setup very strangely, and upon exiting, it looked like it would take at least half an hour, and maybe even longer than an hour to leave the place. Thankfully, I like to be very prepared and anal about things, and perusing the Clark County Amphitheatre's website, I found a sheet you can printout to get VIP parking access if you have at least 4 people in your car. This turned out to be a lifesafer, and instead of being stuck in a traffic jam for more than an hour, gave us a special clear exit and let us get out of the parking area faster than you can say "I LOVE YOU TRENT!"

With the show, and my new TV in the span of a few days, this might well have been one of the greatest weeks of my life. Hell, without my new TV, I would still be able to say that last sentence and not be lying.

The Setlist in Full:
1. Somewhat Damaged
2. You Know What You Are?
3. Sin
4. Terrible Lie
5. March of the Pigs
6. Something I Can Never Have
7. Closer (To The Only Time)
8. Burn
9. Gave Up
10. Help Me I Am In Hell
11. Non-Entity
12. Only
13. Wish
14. La Mer
15. Into The Void
16. The Big Come Down
17. Suck
18. Get Down Make Love
19. Hurt
20. The Hand The Feeds
21. Head Like A Hole

Told you it was gonna be long :)

Wednesday, May 31, 2006

Best Day for Mail Ever.

Remember my last post? (Scroll down, I'll wait) Back? Well I got this delivered to me today. Here's a pic of it setup in my computer room. As if that wasn't good enough, I also got this, and this (it's not too clear in that pic, but I can get a free Ipod shuffle, and all I have to do to get it is test drive a car). All in all, a very good day for mail. A very good day for mail indeed. Coming Soon: My incredibly long review of NIN's recent and amazingly awesome show in Ridgefield, WA.

Sunday, March 26, 2006

Movie Review: Howl's Moving Castle

So I finally saw Howl's Moving Castle, I decided to skip it in theatres (the last movie that I was motivated enough to see in theatres was Serenity) and blind-bought it (I own all Miyazaki movies on DVD anyway, so why stop now?). I approached with trepidation as some reviews said the story was muddled and detracted from the film. Upon watching the film, I can definately understand their qualms, but still enjoyed the movie immensely. Despite the lacklustre response to the storytelling, all reviewers agreed on at least one thing, the look of the movie. In a word, gorgeous. In more words, quite possibly the most beautiful traditionally animated movie ever made. I'm a certified Miyazaki freak, so I loved this movie. For people new to Miyazaki however, I would still highly recommend this.

Tuesday, March 21, 2006

Most Overrated DVD Feature

Alternate Endings - they're so useless.....instead of saying "Hi," the guy says "Hello" and voila theres your alternate ending aka cash grabber. To me, when I see an alternate ending, that just tells me the filmmakers lacked the filmmaking ability to do a proper ending. And don't believe their bullshit "oh, we did it to give the fans a choice!". Alternate endings usually scream poor writing and poor filmmaking in general.

Saturday, March 18, 2006

The Real Reason DVD Killed VHS

Clearly, the number one reason why DVD killed VHS is simple. It's not the better picture quality, it's not surround sound, it's not the extras, it's because you don't have to rewind them. Shows you how lazy people are, all you had to do was press a single button and wait a minute or two.

Friday, March 17, 2006

Rant: Natural Flavours

Here's something I always see on ingredient lists: Natural Flavours - what does that mean? This could mean anything! Urine is a natural flavor, dirt is a natural flavor, I don't get it, this one "ingredient" alone allows so much leeway and could mean almost anything. One could almost make a food item and put one ingredient on the package: "NATURAL FLAVOURS."

Monday, March 13, 2006

Seriously, there's gonna be stuff here soon...

So I started this little blog on July 20th, 2005 with the intentions to post reviews of movies, games, music, etc. along with my certain observations of everyday life, some humourous, some angry, some both, and everything in between. Well it's March 13, 2006 and I still haven't put anything up here yet. That being said, the plan now is to post a little something every so often somewhat regularly. Until then....